Film Review
The horror of 7 October on film
The killers’ headset footage, CCTV, interviews with survivors and heart-rending last messages
Cardinal win
Conclave is a political drama and a closed-room mystery rolled into one
Femcel fantasies
“The Substance” is an accidentally revealing film
Eerie decadence
“Blink Twice” accelerates from black comedy to dark drama
Cowboy quartet
A new screen Western is always welcome
A bore film
The Ministry of Ungentlemanly Warfare is not just ahistorical, it is dull
Reboot camp
In the desperate hunt for stories, adaptations are now all-dominant
Violent delights
It’s 30 years since Pulp Fiction hit cinemas, and what a time it was to be young
This England
We should celebrate the glorious wartime cinematic masterpiece that Churchill wanted to ban
Long story short
Movie length seems to have become a way for directors to tell us what serious people they are
Towards a hospitable environmentalism
Green ideas must transcend misanthropy and austerity
The Church of England’s race to the bottom
The Church of England should not be putting ideology before history
Are Jewish students really afraid of the Freedom of Speech Act?
Some of have raised concerns, yes, but generalisations are wrong and unhelpful
Magic moments
A bomb dropped into the frightful world of mid-Victorian musical entertainment
The coming of age
On the anxieties and ambiguities of adulthood
Into the setting sun…
Next summer, head west to Pembrokeshire
Wagner: the long and short of it
Creativity consists in destruction, in turning the composer inside-out, in making fun of him.
The war on women’s spaces
Roxanne Tickle’s legal triumph is nothing to giggle at
The contested legacy of “Rocky Horror”
How should we interpret a film that is much more than a light-hearted camp classic?
The same old song
A reboot of nineties favourite Le Caprice is more museum than restaurant
Invasion literature
It couldn’t happen here. Right?
