By popular demand from my followers, or should I say follower, I have decided to review the avant garde Pop bio-pic Marie-Antoinette, directed by Sofia Coppola. I missed this movie during its original run (by “missed” I mean “skipped” because I find Kirsten Dunst to be a half-step above Kristen Stewart in terms of acting ability). However, due to a recent trip to Paris and Versailles, the film suddenly had more of a draw to me. The film loosely follows the story of how monarch-to-be, Louis XVI (played by Jason Schwartzman) is matched up with Austrian-born Marie-Antoinette (Dunst) by his father for political reasons. Soon the teenage pair are ruling France from the decadent and hypnotizing palace of Versailles with little knowledge about or regard for the country’s well-being. This film has a unique style and tone. This is not your run-of-the-mill straight factual bio-pic. Coppola uses bright colors, modern music, and even out of place modern props like a pair of Chuck Taylor Converse sneakers in the background of one shot to play up the youth and inexperience of her heroine. Coppola looks to explain, albeit not excuse, the doomed couple’s flawed reign.
Even more important is the film’s setting. Marie-Antoinette is filmed entirely at the Palace of Versailles. This is a special privilege, not often permitted by the French government and it is crucial for the film’s full vision. Coppola not only saturates the film with youthful imagery, but she also utilizes the spellbinding mystique of Versailles itself in order to illustrate the tremendous disconnect young Louis and Marie-Antoinette must have felt from their constituency. The lavish luxury is palpable and, at times, even disgustingly over-the-top. Even with such a mouth-wateringly lush location, the film is often flat from the acting to the rather uneventful plot, purposeful as this may be. I am not clamoring for a fully historically accurate portrayal, but the film needs more than just two hours of moodiness. There is an obviously looming sense of doom throughout this film, and this feeling mixed with the childish depiction of the protagonists does foster a note of sympathy for the child rulers, which is a credit to the director. Overall, the film benefits from a unique vision and a setting that is one of a kind. These characteristics certainly help the film overcome some of its shortcomings. B-