Oscar Predictions: Part 3 – Cinematographer? Damn Near Killed Her!

Oscar Predictions: Part 3 – Cinematographer?  Damn Near Killed Her!

Week three of The People’s Critic’s Oscar predictions begins the major film awards.  This week’s predictions will be for six very different categories: Documentary Feature, Animated Film, Foreign Language Film, Original Screenplay, Adapted Screenplay, and everybody’s favorite – Cinematography.  Readers are invited to continue to weigh in with their own opinions by submitting to the public polls following each category’s predictions.

13.  Best Documentary Feature:

Nominated films are 5 Broken Cameras, The Gatekeepers, How to Survive a Plague, The Invisible War, and Searching for Sugar Man

Generally, the winning documentary has more than spunk and spirit.  Many documentaries are made yearly since they are easy to produce and cheap to make.  The key is content, pacing, accuracy, and perspective.  The swift and breezy Searching for Sugar Man was an early favorite.  However, it will most likely collapse under the weight of provocative films like the charged up history of the AIDS crisis, How to Survive a Plague or the bleak and honest The Gatekeepers, which shines never before seen light on the historic conflicts in Israel.  A dark horse candidate for Oscar is the creepy exposé The Invisible War about rape in the US military.    The Peoples Critic Selection: How to Survive a Plague

14.  Best Animated Feature Film:

Nominated Films are Brave, Frankenweenie, ParaNorman, The Pirates! Band of Misfits, and Wreck-It Ralph

If you’ve read The People’s Critic’s review on Brave, you may find this pick hypocritical.  First given in 2001, Best Animated Feature Film is the newest of all 24 categories in the modern Academy Awards.  During these eleven years, a Pixar Studio film has won this Oscar six times.  In fact, the studio has only lost once when one if its films was nominated (2006’s Cars lost out to Happy Feet)Cars is probably a better film than Brave, however much was made of Brave’s decision to finally feature a female lead and a more feminine story focus, something Cars obviously did not have going for it.  Therefore, while the nostalgic, personal, and enjoyable horror throwback Frankenweenie has the win in my heart, it won’t have the win in the votes. The People’s Critic Selection: Brave

15.  Best Foreign Language Film:

Nominated films are Amour (Austria), Kon-Tiki (Norway), No (Chile), A Royal Affair (Denmark), War Witch (Canada)

What, Norway, Chile, Denmark, and Canada?  You want to win?  Well you will lose to one of the biggest conundrums of the nomination process – those pesky well-made foreign films that worm their way into the Best Picture category.  This has only happened eight times, and only one has ever lost this category, go figure.  The People’s Critic Selection: Amour


16.  Best Original Screenplay:

Nominated films are Amour Written by Michael Haneke, Django Unchained Written by Quentin Tarantino. Flight Written by John Gatins, Moonrise Kingdom Written by Wes Anderson & Roman Coppola, and Zero Dark Thirty Written by Mark Boal

As a writer (or to put it more modestly, one who appreciates writing), the Oscar for Best Original Screenplay has a special significance.  Four of the five films nominated here are actually mentioned on The People’s Critic’s List of the Top Ten Films of 2012 (although one is listed for adverse reasons).  Nonetheless, the number one choice on that list earns its place because of its writing.  Quentin Tarantino is an auteur like none before him and Django Unchained will be recognized for its reverent and consummate writing.  The People’s Critic Selection: Django Unchained


17.  Best Adapted Screenplay

Nominated films are Argo Screenplay by Chris Terrio, Beasts of the Southern Wild Screenplay by Lucy Alibar & Benh Zeitlin, Life of Pi Screenplay by David Magee, Lincoln Screenplay by Tony Kushner, and Silver Linings Playbook Screenplay by David O. Russell

This is the award that combats the old adage, “the book was way better than the movie.”  Generally, these films are the rare few who challenge and overcome that too often reality.  A screenplay of note is certainly Kushner’s Lincoln.  Spielberg deserves far less credit than Kushner does for why this film is deserving of its accolades.  Often Shakespearean at times, the screenplay is adapted in such a way that the film is elevated to what earned it 12 nominations.  Kushner’s only real competition here is David O. Russell.  Silver Linings Playbook is enjoying a tremendous spike in momentum heading into Oscar weekend.  With it being the first film in 31 years to be nominated in all four acting categories, Russell’s screenplay cannot be ignored as unrelated to that achievement.  My gut tells me that just might be the tipping point.  The People’s Critic’s Selection: Silver Linings Playbook


18.   Best Cinematography:

Nominated Films are Anna Karenina, Django Unchained, Life of Pi, Lincoln, and Skyfall

If you’ve ever wanted to be scorned or looked at in utter disgust, then comment on the cinematography of a film in front of a group of people.  Eyebrows will raise, hair will stand on end, under-the-breath comments will abound. It’s the fastest way to claim your role as a “know-it-all,” and yet, it is so worth it.  Cinematographers are the directors of photography who oversee decisions on camera and lighting concerns.  To excel at this requires the talent of an artist and the technical knowledge of a director.  This year’s group makes for a tough category.  Deakins’s latest film, Skyfall marks his 10th nomination without a win.  This should certainly be a consideration in choosing a winner since repetitive nominations in this category are not easy to get, but well earned when they happen.  Tarantino’s go-to guy, Robert Richardson is nominated again, but he did win last year for Martin Scorsese’s Hugo.  However, resident know-it-all The People’s Critic is going to go in a different direction.  Ang Lee has the perspective to make great films, but the pure visual delight and majesty that was achieved by Life of Pi is equally a result of Claudio Miranda’s cinematography.  The People’s Critic Selection: Life of Pi


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