I’m not sure what critics were expecting to see when they went to see The Hangover Part III, but clearly they didn’t see it. Words like ‘deplorable,’ ‘tasteless,’ ‘unfunny,’ and ‘indecent’ have been used to describe the film, not to mention the all too repeated yet inevitable phrase ‘what happened in Vegas, should have stayed in Vegas.’ I, on the other hand, must profoundly disagree with this vastly baffling majority. The Hangover Part III is a fitting final chapter that is far from ‘tasteless,’ and in fact even expresses some rather poignant truths about friendship.
The Hangover Part III wisely turns its back on the “what happened last night?” premise, and freshens things up with a new conflict, although it still involves looking for Doug. This time the Wolfpack assembles for an intervention for Allen (Zack Galifianakis) following the sudden death of his father (Jeffery Tambor) and a terribly public mishap with a giraffe. While enroute to a mental rehabilitation facility, Allen, Phil (Bradley Cooper), Stu (Ed Helms), and Doug (Justin Bartha) are abducted by mobster, Marshall (John Goodman). Marshall orders Phil, Stu, and Allen to track down Mr. Chow (Ken Jeong) who stole $21 million in gold from him or he’ll kill Doug. It seems oddly hypocritical that series like the Harry Potter films are allowed to break with formula and get significantly darker over time, yet when a film like The Hangover Part III does the same, there is an uproar. Nonetheless, this new direction allows the characters more room to breathe as they commence an enjoyable manhunt that takes them to California, to Tiajuana, and of course, to Vegas!
Various nods to the previous two films are sprinkled throughout in enjoyable ways and even the Marshall character is fittingly introduced. Jeong’s role is substantially larger in this installment, and while his presence felt far too forced and substantial in the second film, he shines in Part III. It is true that there are not as many laughs in The Hangover Part III as there were in the original, but it also has a different tone where laughs are sacrificed for occasional moments of intensity. Nonetheless, the film is still a comedy, and the laughs that happen are strong and surpass the lazy unoriginal ones from Part II. In fact, this film minimizes its references to Part II to such a degree that this film could be considered Part II, and Part II could be a sort of appendix or something.
The argument for whether Part III (or Part II) was necessary is a larger issue that does not only apply to this set of films but to all part II’s and part III’s. Thus, on the merits of what is presented, The Hangover Part III is a successful and entertaining film. It devises a reasonable premise, offers a clever plot-twist or two, and even provides some insight on friendship. The latter part is perhaps the film’s least successful endeavor, as it pounds the audience over the head with various versions of Trent Reznor’s song “Hurt;” however, a scene towards the end utilizing that song does have a ring of truth to it.
Director Todd Phillips listened to his critics and detractors after Part II and gave them exactly what they wanted in Part III, yet his new vision is not being embraced. While the franchise has seemingly run out of steam, and a Hangover Part IV is incredibly unlikely and ill-advised, Part III is a perfectly good send off to these characters that deserves to be seen even if the “hang” is “over.” B
The Hangover Part III is rated R and has a running time of 1 hour and 40 minutes. While there is no stinger after the credits, definitely make sure you stick around for about a minute after the credits begin rolling.