The Spectacular Now delivers a powerful and deeply cautionary story about two high school seniors improbably drawn together. When party boy, Sutter (Miles Teller) is discovered passed out on a stranger’s lawn by nice-girl Aimee (Shailene Woodley) it is far from love at first sight, but there is something. That something is part of what makes The Spectacular Now so good. It somehow avoids much of the cliché trappings of traditional coming of age films, resulting in a very engaging and emotionally relatable experience.
The Spectacular Now introduces Sutter at the start of senior year, just as his long time relationship with Cassidy (Brie Larson) has come to a sudden end causing him to ponder what he is supposed to do now. The “Now” in The Spectacular Now is intriguing. As youth culture perpetually twists the philosophical message behind Romantic individualism, what was once an ideology for adventure has been warped into a sort of assumed invincibility. This slight alteration has resulted in the YOLO (You Only Live Once) anthem that is bellowed by teens before doing a likely regrettable action. Thus, Sutter’s contemplation on what to do “now” is analogous as he is not so much concerned with his future, as one might expect, but with literarally what to do right now, with little thought towards the future at all. This sets the context for a much richer tapestry, often overlooked by other romantic films of this type. Much of the credit for why this works can be given to Teller and Woodley as their impeccably authentic performances brilliantly build the core relationship that was central to Tim Tharp’s novel. The novel was adapted, in part, by 500 Days of Summer screenwriter, Scott Neustadter, which accounts for its breezy tone overall but with a hint of something looming just out of sight. Aimee’s character is used to inject a viewpoint often disregarded by Sutter, and as Sutter and Aimee’s relationship evolves so does the complexity of Sutter’s life. Sutter’s haphazard lifestyle has been molded by a combination of society and environment to a degree that his character remains entirely sympathetic. The film may be a bit simplistic in its sections dealing with the others in Miles’ life including his sister, mother, boss, and father, but it works beautifully as a metaphor for the richness that life can potentially offer if one can look beyond the “now” and into one more “spectacular,” which can be more of a challenge than one might think. A-
The Spectacular Now is rated R and has a running time of 1 hour and 35 minutes. It is a brilliant showcase for these two young stars-to-be. It is better than the average romantic love story and is a nice reminder for how these types of films need not draw from the same old cliché well in order to please audiences.