The films of director Wes Anderson have obtained a cult status with a shrewd and astute base of fans. His niche style of film making is chocked full of trademark set designs, deadpan dialogue, and plots that can be best described as Norman Rockwellesque…on acid. However, with 2012’s Oscar nominated film, Moonrise Kingdom and this year’s The Grand Budapest Hotel, Anderson is looking to expand his fan base not by sacrificing any of his trademark oddities but by writing brilliant characters who are far more developed than those in his previous films.
Moonrise Kingdom was a nearly perfect cinematic experience, and it was Edward Norton’s portrayal of Scoutmaster Ward that made the film so enjoyable from start to finish. Anderson capitalizes on this character-driven amusement again with Ralph Fiennes as M. Gustave, legendary concierge of the Grand Budapest Hotel.
The Grand Budapest Hotel is the story of a fictional Eastern European hotel located in the republic of Zubrowka and the concierge, Gustave, whose reputation elevated it to its legendary status.
Told in flashback through the eyes of Gustave’s trusted lobby boy, Zero Moustafa to a young author, The Grand Budapest Hotel is a murder-mystery story that takes place between the World Wars where the Hotel becomes the constant in an ever-changing European continent.
Starting out in 1985, the story jumps and bounces through three main time periods. An aging author (Tom Wilkinson) addresses the audience to discuss how a writer is able to tell great stories. He mentions that great writers establish credibility with those with great stories so that they can write them. The film then jumps to 1968 where an adult Zero Moustafa (F. Murray Abraham) recounts the outrageous and fabled story of Gustave to a young author (Jude Law) about his own life under the charge of the famous M. Gustave.
Gustave is established as a gifted concierge who sacrifices often to bring joy and comfort to the guests of The Grand Budapest. When an affluent and elderly guest (a barely recognizable Tilda Swinton) passes away, the future of the hotel and the future of a rare renaissance painting are in jeopardy as the selfish family of the deceased are pitted against the preservationist Gustave.
Fiennes is excellent as Gustave, emphasizing the importance of identity, culture, and heritage in a time of extreme instability. His fearless adventures find he and Zero in all kinds of situations where they must rely on a slew of imaginative supporting characters all from the mind of Anderson.
The Grand Budapest Hotel, like many of Anderson’s films, has a fabled tone and novel-style plot progression. It also has spirit and heart that are on full display. Never has an Anderson film had more fun with foul language, dark subject matter, and true human consequences. This elevates The Grand Budapest Hotel to the height of Anderson’s achievements. A-
The Grand Budapest Hotel is rated R and has a running time of 1 hour and 40 minutes.