I had always imagined that Bill Murray could be entertaining even if he was just watering a plant. His new film St. Vincent ultimately confirms my assumption but not before offering one of the most satisfying experiences at the movies this year.
St. Vincent is the story of Vincent MacKenna (Bill Murray), a selfish, filthy, cranky curmudgeon of a guy living alone in his Brooklyn home. However when Maggie (Melissa McCarthy) and her son Oliver (Jaeden Lieberher) move in next door, Vince’s deliberately isolated existence is suddenly shattered. With Maggie’s job as a CAT scan tech requiring late hours, she must, in an act of desperation, lean on the dissolute Vincent to watch Oliver after school. Oliver’s new school is a religious prep academy that is uncharacteristically non-denominational. And while the school is universally accepting, the students are less so making it hard for Oliver to make friends even with Brother Geraghty’s (Chris O’Dowd) lessons about sainthood and brotherly love. Thus, Oliver looks to Vincent for guidance, and what follows is a well-executed, though familiar, tale of unlikely friendship. Think Up with most of the “Disney” rinsed off.
Selfish adults paired up with circumstantially victimized children is a staple of American cinema, and that fact could have easily stacked the odds against St. Vincent; however, the charm, heart, and most of all performances in this film prevent it from falling victim to the clichés and mediocrity that this genre is capable of producing. Writer/Director Theodore Melfi’s screenplay does not meander or wander away from its strengths, the principal of which is Murray. Murray’s turn as the crotchety Vincent is as fine a performance as he’s ever delivered and certainly the most sentimental. Yet, the film earns every laugh and every tear without setting foot into melodramatic or schmaltzy territory. While the screenplay does enjoy the occasional shortcut or coincidental predictableness, the larger motif about the existence of unconventional goodness in the world is quite successful. Newcomer Lieberher’s performance as Oliver is also very good allowing Murray’s character to feel that much more dynamic. McCarthy is great opposite Murray and Naomi Watts is surprisingly well cast as Vincent’s lady (of the night) friend, Daka.
St. Vincent is less a comedy than the trailers would have you believe. While occasionally funny, this film tugs at the heartstrings as hard as any drama ever dares. Still, genre-based confusion aside, the film works and delivers on a wide range of emotions that may help get Murray his first Oscar. A-
St. Vincent is rated PG-13 and has a running time of 1 hour and 42 minutes. And if you want to see what I mean about Bill Murray being entertaining while watering a plant, click here or just sit through the film’s credits.
Nice review! It takes a new mind set to visualize sentimental Murray in place of the funny guy. Guess I am surprised it worked!
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Good review. I wish that the script had been better, because the cast could have done some real wonders, had they had the right material.
Thanks and I read your reviews often! I agree with you about the script, but I do see what Murray liked about it.
Really great review! “I don’t know how you pay for a tree branch…”