A Christopher Nolan film release is event movie territory. Interstellar, Nolan’s first film since 2012’s The Dark Knight Rises, has far more in common with his 2010 mind-bender Inception than with the “Caped Crusader,” however. First, they are both one-word titles that begin with “I” and second both deal with the complex nature of time’s relativity to the dimension of space and the time that one’s consciousness is inhabiting combined with the levels of both of those times’ relativity within the separate levels of that dimension. Call it a director trademark. All that aside, Interstellar is a phenomenal film.
Interstellar is set in an undetermined future where blight and dust have decimated most of the food supply on Earth. Modern industrial society has ceased to exist and a “caretaker” generation has taken over, where most children will be raised to be farmers and few will see education beyond secondary school. Matthew McConaughey takes the McConnaissance to an epic level as Joseph Cooper, a former NASA test-pilot turned farmer living with his two children and father-in-law, Donald (John Lithgow). Frequent dust storms have eliminated virtually every crop but corn, and corn is likely not far from extinction as well. When some strange gravitational pulses begin influencing some of Cooper’s farm equipment, his daughter Murph (Mackenzie Foy) notices some patterns left behind that reveal coordinates to a secret NASA lab operating underground. Professor Brand (Michael Caine) heads the operation and when Cooper stumbles upon the lab, Brand presents Cooper with an interstellar mission that has the potential to save humanity from extinction but also requires that he leave his family with no guarantee of return. Cooper reluctantly accepts and with a crew including Brand’s daughter Amelia (Anne Hathaway), and scientists Doyle (Wes Bentley) and Romilly (David Gyasi), Cooper leads a space mission to explore a series of potentially promising alternatives to Earth.
Now if you’re in that group of people who only take their dystopia with a side of Jennifer Lawrence, hear me out. Interstellar is the most immersive film of the year, eclipsing even last year’s Gravity in terms of cinematic experience. Nolan does not treat the audience with kid gloves and allows us to observe and appreciate the film without needless exposition or over-explanation. Clocking in at 3 hours in running time, the film actually moves with a deliberate and intrepid pace. Like successful cinematic space operas of the past such as 2001: A Space Odyssey or even Star Wars, Interstellar is enriched with thoughtfulness, theoretical rhetoric, and intensity! The film is also quite beautiful and awe-inspiring. Nolan, one of the last filmmakers still shooting on 35mm film, uses the technique to his stunning advantage. Darkness, color, perspective, and beauty are all heightened by Nolan’s camera work, and the film resonates with a voracity that feels appropriate for a quality depiction of interplanetary space travel. Like Steven Price’s Oscar winning score from Gravity, the score in this film, composed by Has Zimmer, plays an equally pivotal role. Swells and crescendos of synthesizers and pipe organs counter-balance equally ominous moments of complete silence, all of which emphasize the overall mood.
The cast is adequate, but what actor is playing which role in this film is actually quite inconsequential. McConaughey is the only actor who has to carry any substantial weight and his performance is best categorized as “alright.” In fact, the film boasts a parade of cameos, which work to draw attention away from the film’s principal actors. At one point, you may have to check your ticket stub to make sure you didn’t accidentally walk into a screening of Ocean’s Eleven. But like most Christopher Nolan films, the true strength of Interstellar is not in its cast but in its atmosphere and ambition. For a science-fiction film, Interstellar feels very authentic and while the film’s final act may challenge some viewers, everything works. This is a big movie, so see it on a big screen! A
Interstellar is rated PG-13 and has a running time of 2 hours and 49 minutes.
Would you rather watch this movie or Gravity again and why? I know they are two completely different movies but they are the most recent space movies so I’m just curious 🙂
This is far more impressive than Gravity and will get attention for some of its technical achievements but Gravity had some of those crowd pleasing pieces that got it some of the creative awards. I hope Oscar recognizes this film!