Last year at around this time, I reviewed The Hobbit: The Desolation of Smaug, and I discussed the impact of splitting films into separate parts with separate release dates. While not sold on the concept, I did give Smaug and director Peter Jackson credit for effectively demonstrating the merits of this controversial choice. I cannot say the same about the final chapter of Hunger Games series, Mockingjay.
Mockingjay picks up right where Catching Fire left off. Katniss (Jennifer Lawrence) has been rescued by a rebel organization calling themselves The Mockingjay, after she brought down the arena’s force field at the end of the 75th Hunger Games. Tributes Finnick (Sam Claflin) and Beetee (Jeffrey Wright) were also rescued while Johanna (Jena Malone) and Peeta (Josh Hutcherson) were captured by the Capitol. The group is hiding out in the mysterious and mythical District 13 and are looking to unite the other districts in overthrowing the Capitol.
Gale (Liam Hemsworth), Effie (Elizabeth Banks), and Haymitch (Woody Harrelson) along with Katniss’s family are among the thousands who managed to escape the Capitol to District 13. When District 13 president Alma Coin (Julianne Moore) approaches Katniss to sign on as the face of the rebellion, Katniss responds with ferocity over Coin leaving Peeta behind. Still, upon seeing the ruins of her home District 12 and with the advice of ex-gamemaker Plutarch Heavensbee (Philip Seymour Hoffman) and Haymitch, Katniss reluctantly agrees to be The Mockingjay for Coin’s rebel cause.
Unlike the first two installments, this film does not follow the familiar design of holding a reaping that leads to an enclosed arena battle. Here the world itself is the arena and it is a battle of ideologies, not just individuals. This bodes well on the surface as Mockingjay has an opportunity to be fresh, exciting, and perhaps even significant. Instead, Mockingjay is a far messier film than its predecessors, and the cause is the decision to split this story in half. A film about a dogmatic battle between characters as vibrant as these should resonate with intensity from start to finish. Instead, Mockingjay goes the Breaking Dawn route and draaaaaaaawwwwwsss out its first act knowing that it has all the satisfaction coming up next year. There are several scenes that could have easily been cut from this movie, but are added to pad running time. While this is a major fault and complaint, it is basically my only one. Mockingjay has some really insightful things to say about war and propaganda’s role in furthering a cause. I actually wish more time was spent on that idea than with overblown scenes of Katniss visiting her home or staring at rubble. It also is very well acted. Every role is filled out with a dynamic performance and every character is memorable and serves a purpose. As a set of films, this could have been a very solid trilogy with a biting finale. The choice to split it up will forever prevent these films from achieving that overall status; however, the extra half a billion dollars Part 2 fetches will probably keep that artistic integrity safely out of sight. So get ready for more films with titles that require a colon AND a hyphen. Of the three films in the series, this is the worst, but hopefully will give way to a superior conclusion. B
Mockingjay is rated PG-13 and somehow manages a running time of 2 hours and 3 minutes.
Director: Francis Lawrence
Writers: Peter Craig, Danny Strong (Screenplay) and Suzanne Collins (Novel, Adaptation)