Screenwriter: Joss Whedon
Cast: Robert Downey Jr., Chris Evans, Mark Ruffalo, Scarlet Johansson, Chris Hemsworth, Jeremy Renner, and James Spader
When all was said and done, 2012’s Marvel’s The Avengers, became the third most lucrative film in box office history. Now with James Wan’s Furious 7 poised to unseat the superhero spectacular, Iron Man and friends return to make sure the Avengers stay on top!
Still, how do you follow up the third biggest movie of all time? Well Joss Whedon, a guy who never met a cliché he couldn’t skewer, handles things very nicely with Avengers: Age of Ultron. When we last left our Avengers, they had just vanquished Loki and his alien army, saving New York and metaphorically the world. Four Marvel films have been released since 2012’s The Avengers, which have advanced the universal plot somewhat, but basically the team has had no need to reunite…until now!
Reviewing a film of this nature and anticipation is a bit of a challenge. Expectations are high, spoilers are forbidden, and a very thin line separates formulaic from entertaining. Nonetheless, Avengers: Age of Ultron ultimately lands on the entertaining side, mostly thanks to the “vision” (pun intended, see the movie) of writer/director Joss Whedon.
Tony Stark (Robert Downey Jr.) seemingly refocused by his battle with The Mandarin from Iron Man 3, has decided that the world is still too vulnerable to outside threats. The answer? Implement a peacekeeping program called Ultron in the hopes of harnessing the power of Stark’s supercomputer JARVIS to shield the planet from future alien attacks. The problem is that Stark’s own program is conceived of an artificial intelligence so advanced that it develops a plan of its own, manifesting itself in a robotic personage and plotting to eliminate humanity in favor of an evolved robotic intelligence. Of course, this is simply the conflict devised to reunite Iron Man, Captain America (Chris Evans), The Hulk (Mark Ruffalo), Thor (Chris Hemsworth), Black Widow (Scarlet Johannson), and Hawkeye (Jeremy Renner) for another adventure, but fortunately, the film does not rest on its laurels too long.
Here’s where Whedon shows his expertise and distinctiveness. The three clichés common with sequels are mixing things up, adding something new, and darkening the mood. With Avengers: Age of Ultron, Whedon does not avoid these potential pitfalls, but rather embraces them with vigor. So much so, that he shatters them with new energy. Whedon, a true comic fan, takes advantage of the development built through Marvel’s ten previous films and “mixes things up” by sprinkling in a series of events that fractures the team’s cohesiveness organically. He does this by mining some previously established developments rather than adding something in that would doubtlessly feel abrasive.
Ultron, eventually voiced by James Spader, is a very appropriate villain for the direction this franchise is heading. Aliens have been The Avengers’ most common foe, but Ultron takes a tip from arguably the best Marvel film, Captain America: The Winter Soldier and becomes a metaphor for paranoia and fear. Ultron uses information as a weapon and in essence is also the impetus for introducing the film’s two newest characters The Scarlet Witch (Elizabeth Olsen) and Quicksilver (Aaron Taylor-Johnson), Russian twins with an axe to grind against Stark’s weapons background and some pretty impressive powers. Of course, Whedon is not satisfied in adding something new simply for the sake of a sequel; instead, he uses the twins to give the film an opportunity to reveal more depth to the individual Avengers, something the first film was unable to do as an “origin story” and something usually reserved for the individual entries in the franchises. Black Widow and Hawkeye, the two Avengers without an individual film about them, benefit most from this element of the film.
At the end, Avengers: Age of Ultron does not have the feel of high, global stakes like the previous film, but that is exactly why these films have not grown stale. We are constantly introduced to a new angle, and in this case, one that may leave some feeling a little confused on what the future holds for these beloved heroes. The one fault I find with the film is, while it has moments of thoughtfulness, I think given the amount of depth developed over ten films, this film could have been more ambitious. The scenes that work, work very well and while there is probably at least one too many fight scenes, there are still plenty of extremely enjoyable “quieter” scenes where these actors get to have fun with the characters and continue the tongue-in-cheek humor that fans have come to expect and appreciate. This is yet another infinity stone in the crown of the Marvel cinematic universe leaving this summer’s Ant Man as the sole film entry left that can smudge phase two of Marvel’s unstoppable success. A-
Avengers: Age of Ultron is rated PG-13 and has a running time of 2 hours and 21 minutes. As promised by Whedon, there is one short scene mid-way through the credits, but no other extra scenes after that.