Director: James Mangold
Screenwriters: James Mangold, Scott Frank, and Michael Green
Cast: Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook, and Stephen Merchant
Seventeen years, appearances in nine separate X-Men related films (credited/uncredited), and about 27 different timelines – Hugh Jackman is finally hanging up his claws. Citing fatigue, age, and skin cancer as factors, Jackman has made it clear Logan will be his final film as the iconic Wolverine. But don’t worry, Wolverine will not go GENTLE into that good night.
We open in the year 2029, and time has not been kind to Logan. A glorified, Uber driver, Logan (Jackman) is a limo driver for hire scraping together cash in order to buy a boat where he and an ailing Professor Charles Xavier (Patrick Stewart) can live out their days isolated, yet out of harm’s way. Logan also has some health concerns of his own. His healing abilities are nothing like they used to be, which was the only thing protecting him from adamantium poisoning; he’s also a little too friendly with the bottle.
Mutants are all but extinct at this point, none having been born in over 25 years. Also, a catastrophe has basically wiped out the X-Men altogether. This event is but glossed over, but it clearly has to do with a seizure condition affecting Xavier. His mind being the most powerful the world has ever seen, as it deteriorates, the fallout can be alarming. In order to keep him safe, undetected and from doing harm, Logan, with the assistance of a mutant tracker named Caliban (Stephen Merchant), keeps Xavier medicated and contained in a large, empty water tank. This temporary measure is mostly effective, but as Xavier’s seizures get worse, it becomes clear Logan needs to speed up his plan. Things are complicated, however, with the arrival of a young girl named Laura (Dafne Keen), who possesses the same mutant ability as Logan and is being pursued by a powerful corporation, Transigen. If one were to connect the dots, it would imply that the DNA William Stryker used to “create” Wolverine has been stolen and repurposed by Transigen, which it has. More specifically, a mad scientist type by the name of Dr. Zander Rice (Richard E. Grant) is using the stolen mutant DNA to design, grow, and patent a militant mutant force who are now child aged, Laura being one.
Laura hopes to escape Transigen’s clutches by finding a safe haven called Eden across the Canadian border North of North Dakota, and she needs Logan’s help. Logan wants no part, but thankfully Professor Xavier sees Laura as someone who can begin to repair the damage that has annihilated his gifted youngsters. She can be the start of something new and someone who can teach Logan to love again.
What follows is your basic cat and mouse chase with Logan shepherding Professor Xavier and Laura while being pursued by an army of sinister figures, mutant and human alike.
The action is relentless, and now would probably be a good time to address the R rating. This is one brutal film both visually and emotionally. The violence is also off the charts. Director James Mangold always planned to make this film a darker, heavier Wolverine film, even before the success of Deadpool last year. The source material for the storylines came from some of the bleaker, more recent Wolverine graphic novels, including Old Man Logan (2008). This is truly a departure and another progression for the Marvel universe. While still under the 20th Century Fox studio and not officially a Marvel Production, Logan gets to be something different without too much disruption to other properties. With Logan, continuity is an afterthought, we have a more personal film, there is limited CGI, we get to spend time considering the value of aging heroes, and most of all the case is made that superheroes are not just for kids.
There’s a scene in Logan where Professor X and Laura are watching the movie Shane in a hotel room just as Alan Ladd says, “A man has to be what he is, Joey. Can’t break the mould. I tried it and it didn’t work for me.” There’s no finer epitaph for this movie or superior way to express it. Referencing a 1953 western to make your point is cinematic gold and a far more mature approach than in most “superhero” fare. I don’t think we are far from seeing the evolution of the superhero genre substantiating itself into cinematic art of the finest regard. Logan may not quite be that film, but it will likely be cited as the influence for that film. It’s important to take this film for what it is, and that is a character-driven action film. Logan does fine work with that, and while Logan may be Shane, Logan is not Shane. Still, this is certainly the finest of the Wolverine films, and its limited cast and mature perspective make it one of the most important comic book films yet. Furthermore, Jackman is outstanding as the tortured hero once again. This is the role he was born to play, and that is likely why he took it so seriously every time he played it. Unfortunately, nearly every role Jackman takes, he seems born to play, so it is fitting that he, like his character, is ready to move on to what’s next. A-
Logan is rated R and has a running time of 2 hours and 17 minutes. There is no after-credit scene with this film, but there is a humorous Deadpool 2 teaser before the film, so get there early.