Director: David Leitch
Screenwriter: Kurt Johnstad
Cast: Charlize Theron, James McAvoy, John Goodman, Toby Jones, Sofia Boutella, and Eddie Marsan
Maybe a movie like this could have flown before Netflix, before John Wick, or before Mission: Impossible, but not anymore. Atomic Blonde, based on Antony Johnston and Sam Hart’s graphic novel series, The Coldest City, plays like a Cold War action movie, but it tries too hard to be anything else.
Set in 1989, at the peak of the Cold War, British agent Lorraine Broughton (Charlize Theron) is sent to investigate the death of a fellow agent in Berlin. Cue all the tropes you associate with this genre: mistaken identity, betrayal, secret list of undercover operatives, and so on and so forth. It even does the very thing this clip from The Other Guys is making fun of; it starts at the end, then goes to the beginning, periodically returning to the end, giving various characters’ perspectives. Ridiculous.
The other characters? Hardly worth mentioning, but Broughton is teamed up with another agent named David Percival (James McAvoy) who may or may not be up to something. She also encounters a rookie French agent named Delphine Lasalle (Sofia Boutella), who Broughton finds much more amusing than Percival.
Does it matter that this movie paints by numbers? It certainly doesn’t have to matter. Movies like Mission: Impossible and John Wick have very little going on upstairs, but what they do have is unrelenting spectacular action sequences! Atomic Blonde has one of those, and while it may be one of the best examples of an action spectacle in a long, long time, it doesn’t do enough to hold the other 90 minutes of the movie afloat.
Atomic Blonde the film wisely immerses us in the music of the times. The best part about Atomic Blonde is its selection and execution of the New Wave/Punk music of the time. Like Baby Driver, none of this music is original; the art is not in the music but rather the selections, arrangement, and placement. I have an even deeper appreciation of David Bowie’s “Cat People (Putting Out Fire)” now.
So what do we have here? Do we have the “female James Bond,” as some publicized this film to be? No. We have middle of the road espionage, set in a provocative time period with good music and one great action scene. That’s just enough to recommend it, but not without the caveat that it comes with a high risk of disappointment. C+
Atomic Blonde is rated R and has a running time of 1 hour and 55 minutes.