The Peoples Critic

News and Commentary on Movies that Matter

Part II: Songs, Styles, and Sets

Best Song Posters

Return to Predictions | Part I | Part III | Part IV

Part II – Songs, Styles, and Sets!

This set of predictions rounds up the lower tier categories and begins the accent to the major ones. These predictions will focus on the seven categories that make up the atmosphere of a film: Original Song, Original Score, Costume Design, Production Design, Makeup, Visual Effects, and Film Editing.

6. Best Original Song – Nominated songs are:

“Alone Yet Not Alone” from Alone Yet Not Alone
“Happy” from Despicable Me
Let It Go” from Frozen
“The Moon Song” from Her
“Ordinary Love” from
Mandela: Long Walk to Freedom

This is an interesting category in that its number of nominees varies from year to year. Current prerequisites for a nomination require that the song is originally written for a film and that the song is completely original and not partially sampled from another source (as was the case with 1995’s “Gangsta’s Paradise” from Dangerous Minds). They also require that if the composer was a former governor of the Academy music branch, he can’t contact 1/3 of the voters asking them to “consider” his song.  This year, the latter occurred resulting in a revocation of the nomination for “Alone Yet Not Alone.” So now it comes down to a catchy tune versus a song with momentum.  Frozen’s “Let It Go” has captivated the minds of children like the best of Disney’s songs, but U2’s “Ordinary Love” is riding high after a Golden Globe win.  Flip a coin on this one.

The Peoples Critic’s selection for who WILL win: “Ordinary Love” from Mandela: Long Walk to Freedom
Who SHOULD win: “Let it Go” from Frozen

7. Best Original Score – Nominated Films are:

The Book Thief
Saving Mr. Banks

John Williams (The Book Thief) may have five Oscars, but he has been nominated 49 times (including a loss last year for Lincoln), suggesting that he is not an Academy favorite. Additionally, the five Oscars he has are for scores much more memorable and powerful than The Book Thief. The film with the most substantial use of music is Her, but the momentum is with Gravity.

The People’s Critic’s selection for who WILL win: Gravity
 Who SHOULD win: Her

8. Best Costume Design – Nominated films are:

American Hustle
The Grandmaster
The Great Gatsby
The Invisible Woman
12 Years a Slave

The key to this category is not to get too caught up in the film itself but rather focus on the creativity, authenticity, and accuracy of the costuming. Period pieces are favorites in this category and we have five of them, even the martial arts film!  12 Years a Slave and American Hustle have the most nominations overall and are potential threats here.  The interesting factor here is that Catherine Martin is nominated for costuming her husband Baz Luhrmann’s film, The Great Gatsby.  She won this award in 2001 for Moulin Rouge when she was in this exact same situation.  That year Moulin Rouge was nominated for eight Oscars but only won two: Costume and Production Design.  This year The Great Gatsby is only nominated for two Oscars, but they are for Costume and Production Design.

The People’s Critic Selection for who WILL win: The Great Gatsby
Who SHOULD win: The Great Gatsby

9. Best Production Design – Nominated films are:

American Hustle
The Great Gatsby
12 Years a Slave

The Oscar for Production Design goes to the art director who best accomplishes the appropriate mood for an audience’s experience through visuals, movement, and other varieties of art direction. This can be a complicated job, and an A.D.’s success relies on whether or not an audience is appropriately affected psychologically by a film. From a psychological standpoint, these films all offer wildly different ways of using style and motion to affect an audience.  However, four of the five nominees here are also nominated for best picture, so it is likely that this award will be tied to that award.

The People’s Critic’s selection for who WILL win: 12 Years a Slave
Who SHOULD win: Gravity

10. Best Makeup and Hairstyling – Nominated Films are:

Dallas Buyers Club
Jackass Presents: Bad Grandpa
The Lone Ranger

In a year of impressive films, it’s hard to believe that only three of them included Oscar-worthy makeup and hair. Last year, this went to the team behind the musical, Les Misérables ; but typically this award goes to wildly imaginative, over-the-top makeups and hair. Could it possibly go to…a Jackass movie?!?  Damn straight it will!  No other nominated film relies on this art form more, and no other film does it to such an intricate degree. 

The People’s Critic Selection for who WILL win: Jackass Presents: Bad Grandpa
Who SHOULD win: Jackass Presents: Bad Grandpa

11. Best Visual Effects – Nominated Films are:

The Hobbit: The Desolation of Smaug
Iron Man 3
The Lone Ranger
Star Trek Into Darkness

Ok, now we get down to films that the average filmgoer can evaluate. The Visual Effects Oscar goes to a film that demonstrates greatness in the world of special effects. If one were to see all of these films, there is certainly something to admire in four of them. However, only two of these films made The People’s Critic’s top 10 films of 2013, and a large part for why one of these films ended up just edging out the other was its visual effects.

The People’s Critic Selection for who WILL win: Gravity
Who SHOULD win: Gravity

12. Best Film Editing – Nominated films are:

American Hustle
Captain Phillips
Dallas Buyers Club
12 Years a Slave

This is an impressive award to win and the Academy does not treat that lightly. The winner for Best Film Editing has often been the film that wins Best Picture, and it is no surprise that all five films nominated here are also nominated for Best Picture. The editing of a film is nearly as important as the direction since it affects the story, the pace, and the tone. Often, great editing goes unnoticed by the viewer because of how seamless the story has been woven together. The major consideration here is that Jay Cassidy keeps knocking on the door first for Into the Wild in 2007 and then back to back in 2013 and 2014 as David O. Russell’s editor for Silver Linings Playbook and American Hustle.  What is challenging to overcome is Cuaron’s masterful control over the intensity of his film, Gravity. 

The People’s Critic’s Selection for who WILL win: Gravity
Who SHOULD win: Gravity

Return to Predictions | Part I | Part III | Part IV

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