Avengers: Infinity War

AIWDirectors: Anthony Russo and Joe Russo

Screenwriters: Christopher Markus and Stephen McFeely

Cast: Not Ant Man, not Hawkeye…everybody else is in there somewhere, and Josh Brolin

Is it the biggest movie ever? As of “press time,” the box office for Avengers: Infinity War is about to cross the $1 B mark, making it potentially the fastest movie to $1 B ever. But the real question is, is it the best Marvel movie ever? The short answer is no, but it’s in the top 5!

Avengers: Infinity War is the mega-anticipated culmination of 10 years of Marvel Studio films. It was originally billed as simply a part 1 of a 2 part third installment to the Avengers franchise; however last summer, Marvel backed away from that idea, simply naming this film Avengers: Infinity War. A wise move, as Infinity War is a complete film, and while we know an untitled fourth Avengers film will be released next May, calling this a “part 1,” would do nothing but add a stigma to what it accomplishes independently in the genre.

“Infinity War” refers to a conflict that has been brewing since the first Avengers film opened back in 2012. Essentially, when the universe was created, 6 powerful gems were scattered throughout the universe, and if one were to possess all six, that he or she would essentially be an all knowing overlord to the entire universe. Each of the stones has been referenced one way or another in various Marvel films, and the being who seeks to obtain them all has also had his story woven throughout these films (mostly in post credit sequences). His name is Thanos (Josh Brolin), and when Avengers: Infinity War opens, he has acquired a magic gauntlet that has been forged precisely to be adorned by all six stones. So, why does he want them? Assuming that Thanos’s reputation does not precede him, he believes that there has to be balance between life and death and currently “life” is in excess, so in order bring balance into to universe he plans to essentially kill half of the universe. Now for such a huge task Thanos needs god like power, and the one who holds the infinity gauntlet with 6 gems embedded in it will have god like powers. Hence he needs all the 6 infinity stones.

This sounds like a job for the Avengers, and it would be except, if you remember last time we saw them, they were not getting along so great. The “Civil War” has effectively disbanded the Avengers, and while they are all doing their best to protect Earth from interplanetary attacks, no one was expecting one of this magnitude to happen anytime soon. Thanos is coming, and has band of cronies are searching the universe high and low for each infinity stone, two of which happen to be currently located on Earth.

That’s the conflict in a nutshell, but the film is epically bigger than this simple explanation leads you to believe. Like all of Marvel’s best films, Infinity War is a careful mix of action, adventure, humor, and style. Wisely, producer Kevin Feige tapped the director duo responsible for the best Marvel film ever, Captain America: The Winter Soldier to direct Avengers: Infinity War. Anthony and Joe Russo also directed the excellent Captain America: Civil War, so they were more than ready to tackle a true Avengers film. Now the news on this film was all over the place from, “there are too many characters,” to, “they’re all going to die,” to “this is all a ploy to get our money,” and the reality is that, none of this is true. Remember back in 2012 when Marvel’s Avengers came out, and everyone was saying, “how in the world will they balance a film with all six Avengers in it?” Look how that turned out. Now here we are six years later, 13 films further, and predictably with twice as many main characters, but no damage is done. In fact, I wager Avengers: Infinity War is the best of the three Avengers films, just barely edging out the original. The immenseness of the stakes in this film are only rivaled by the vastness of its scope. Everything you loved about The Avengers is here in this third film along with the vast epic nature of a Star Wars film. The Russos and screenwriters Christopher Markus and Stephen McFeely flawlessly balance the top-heavy cast by somehow giving us more than we expected of our favorite characters and still leaving us wanting more. Furthermore, with a running time of 2 hours and 29 minutes, this film lines right up with the running times of each of the previous Avengers films. Additionally, in a film about hidden gems, Avengers: Infinity War is full of hidden little Easter Eggs for the film franchise lover, the comic book reader, and even the Arrested Development watcher that give the film a heavily re-watchable appeal.

Still the fact that I just wrote a movie review without mentioning any of the central characters specifically, save for Thanos, shows you that this is no kind of character study. And while a film with this much going on can not match up to the strength of the more genre-bending, cinematic, and inspired entries in the franchise, Infinity War does offer some emotional punch that few Marvel films have managed to provide, allowing it to just barely outshine its predecessors. Yet another feather in the MCU cap, and another crowd-pleasing and laudable summer blockbuster. A-

Avengers: Infinity War is rated PG-13 with a running time of 2 hours and 29 minutes. Stay until the end for one post-credits sequence that sets up at least 2 upcoming 2019 MCU films.

The Rundown – An Updated List of the People’s Critic’s Rankings of the MCU Films

Captain America: The Winter Soldier – A

Thor: Ragnarok – A

Iron Man 3 – A

Avengers: Infinity War – A-

Marvel’s The Avengers – A-

Captain America: Civil War – A-

Iron Man – A-

Black Panther – A-

Avengers: Age of Ultron – A-

Captain America: The First Avenger – B+

Thor – B+

Spider-Man: Homecoming – B+

Ant-Man – B+

Iron Man 2 – B

The Incredible Hulk – B

Thor: The Dark World – B

Guardians of the Galaxy – B-

Guardians of the Galaxy Vol. 2 – C+

Doctor Strange – C+

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Captain America: Civil War

CWDirectors: Anthony and Joe Russo

Screenwriters: Christopher Markus and Stephen McFeely  

Cast: Chris Evans, Robert Downey Jr., Scarlett Johansson, Anthony Mackie, Don Cheadle, Jeremy Renner, Sebastian Stan, Chadwick Boseman, Elizabeth Olson, Paul Bettany, Paul Rudd, and Daniel Brühl

What’s left to say about a movie that within 2 weeks has amassed a $940 million global box office and taken the Marvel Cinematic Universe above the $10 billion mark?  Generally, my goal in writing these reviews is to recommend worthy films for my audience in the hopes of aiding the decision on what to see.  Whenever one of these massively popular films is released, it seems silly to review it.  I mean people that want to see Captain America: Civil War will see it regardless of what any number of critics say.  So then, why write about it?  What’s my motivation? In this case, I think the story is less the film and more to discuss its place in the company of the 12 other films that have been released in the MCU (Marvel Cinematic Universe).  Of course, I still find it useful to identify the good and the bad about the film and offer a summative recommendation, but given that most of my readers have probably already seen this film if they are going to, I want to offer something a little extra as well.

So, what are the “12 other films” that accompany Captain America: Civil War? It’s important to make that distinction.  For the purposes of this article, The X-Men films, Spider-Man films, Fantastic Four Films, and Deadpool will not be considered.  The 13 films pertinent to this discussion are those planned out by Marvel studios starting with 2008’s Iron Man and include the following: Iron Man, The Incredible Hulk, Iron Man 2, Thor, Captain America: The First Avenger, Marvel’s The Avengers, Iron Man 3, Thor: The Dark World, Captain America: The Winter Soldier, Guardians of the Galaxy, Avengers: Age of Ultron, Ant-Man, and Captain America: Civil War.

So now that we’ve identified the players, I will take a moment to review the latest film in the franchise and discuss its place in the field.

Captain America: Civil War is less a Captain America film and more a third Avengers film.  All of the key players are present in this film except Thor and the Hulk, and the events of the film are an immediate continuation from the action of Avengers: Age of Ultron. The principle conflict revolves around a global agenda to put the Avengers under United Nations supervision. Tolerance for the devastation and civilian casualties that have resulted from Avenger-related battles has been exhausted, and at least one Avenger, Tony Stark (Robert Downey, Jr.) agrees with the idea of putting the Avengers in check.  Stark’s persuasive and personal reasons cause a stir in the once unified Avenger team, but his words fall on deaf ears when it comes to Captain “America” Steve Rogers (Chris Evans).  Rogers believes that any supervision of the Avengers will only result in corruption and ineffectiveness.  Suddenly an ideological divide is struck that threatens to tear the Avengers apart from within.

The film does a pretty good job of introducing the conflict and representing both sides, although the reasoning for why one Avenger takes this side versus that side is ultimately rather arbitrary.  What is certain is that a line has been drawn (actually quite literally in one scene) and our heroes must navigate some rocky moral terrain.  While the main “villain” of this film is philosophical in nature, there is a human antagonist  named Helmut Zemo (Daniel Brühl) an ex Sakovian Colonel with some dark secrets and control of the Winter Soldier (Sebastian Stan).

This film is less distinctive from the rest of the pack than its predecessor, Captain America: Winter Soldier.  The thrilling political conspiracy that threaded through the Winter Soldier is replaced by a more standard “Comic Booky” genre story.  Subsequently, the action is a bit shakier this time around, regardless of the fact that Winter Soldier directors Anthony and Joe Russo helmed this film as well.  Nevertheless, the Russo brothers do direct the hell out of this film showing their range with expertly crafted chase sequences as well as some heavy emotional material.

Another plus is that like Winter Soldier, the story remains mostly rooted in reality, and Captain America’s motives continue to be protecting his homeland at all costs.  Additionally, Civil War boasts three outstanding achievements that no Marvel film before it has managed thus far.  First, it introduces two of the best new characters (Black Panther and Spider-Man, both slated to receive upcoming stand-alone films) and does it with panache!  I’ll leave the details about these new characters out so not to spoil anything for the rare reader who has yet to see this film, but both are quite satisfying and Spider-Man especially receives a worthy reboot after some questionable recent attempts by Sony Pictures. Second, the “Civil War” battle is a remarkable scene. This scene replaces the “Battle of New York” from Marvel’s Avengers as the Infinity Stone in the Marvel crown. DC executives responsible for Batman v. Superman should take notes on how Marvel succeeds at fighting internal conflict with external conflict! Third, Captain America: Civil War manages to give all of its cast members room to breathe and make a memorable and worthwhile contribution.  No character is squandered, and as I alluded to earlier, this film explores some emotional depth but uses just the right amount of levity and humor to maintain an even tone.  Captain America: Civil War advances Marvel’s epic storyline yet another step forward and the Russo Brothers prove to be worthy of inheriting the Avengers mantle from Joss Whedon for the upcoming Infinity War films. A-

Captain America: Civil War is rated PG-13 and has a running time of 2 hours and 27 minutes.  As usual, stick around through the credits for two additional scenes….

…and now in keeping with the Marvel cinematic tradition, I have a “post-credits” stinger for you!

The Top 13 Marvel Cinematic Universe Films According to The People’s Critic:

  1. Captain America: The Winter SoldierA
  2. Iron Man 3A
  3. Marvel’s The Avengers – A-
  4. Captain America: Civil WarA-
  5. Iron ManA-
  6. Avengers: Age of UltronA-
  7. Captain America: The First Avenger – B+
  8. Thor – B+
  9. Ant-ManB+
  10. Iron Man 2B
  11. The Incredible Hulk – B
  12. Thor: The Dark WorldB
  13. Guardians of the Galaxy – B-

Average score for the Marvel Cinematic Universe (2016) – B+

Feel free to sound off in the comments section about my rankings.  Did I get it right?  Are you a Guardians of the Galaxy fan who wants to give me a piece of your mind?

Avengers: Age of Ultron

Avengers2Director: Joss Whedon

Screenwriter: Joss Whedon

Cast: Robert Downey Jr., Chris Evans, Mark Ruffalo, Scarlet Johansson, Chris Hemsworth, Jeremy Renner, and James Spader

When all was said and done, 2012’s Marvel’s The Avengers, became the third most lucrative film in box office history. Now with James Wan’s Furious 7 poised to unseat the superhero spectacular, Iron Man and friends return to make sure the Avengers stay on top!

Still, how do you follow up the third biggest movie of all time? Well Joss Whedon, a guy who never met a cliché he couldn’t skewer, handles things very nicely with Avengers: Age of Ultron. When we last left our Avengers, they had just vanquished Loki and his alien army, saving New York and metaphorically the world. Four Marvel films have been released since 2012’s The Avengers, which have advanced the universal plot somewhat, but basically the team has had no need to reunite…until now!

Reviewing a film of this nature and anticipation is a bit of a challenge. Expectations are high, spoilers are forbidden, and a very thin line separates formulaic from entertaining. Nonetheless, Avengers: Age of Ultron ultimately lands on the entertaining side, mostly thanks to the “vision” (pun intended, see the movie) of writer/director Joss Whedon.

Tony Stark (Robert Downey Jr.) seemingly refocused by his battle with The Mandarin from Iron Man 3, has decided that the world is still too vulnerable to outside threats. The answer? Implement a peacekeeping program called Ultron in the hopes of harnessing the power of Stark’s supercomputer JARVIS to shield the planet from future alien attacks. The problem is that Stark’s own program is conceived of an artificial intelligence so advanced that it develops a plan of its own, manifesting itself in a robotic personage and plotting to eliminate humanity in favor of an evolved robotic intelligence.  Of course, this is simply the conflict devised to reunite Iron Man, Captain America (Chris Evans), The Hulk (Mark Ruffalo), Thor (Chris Hemsworth), Black Widow (Scarlet Johannson), and Hawkeye (Jeremy Renner) for another adventure, but fortunately, the film does not rest on its laurels too long.

Here’s where Whedon shows his expertise and distinctiveness. The three clichés common with sequels are mixing things up, adding something new, and darkening the mood. With Avengers: Age of Ultron, Whedon does not avoid these potential pitfalls, but rather embraces them with vigor. So much so, that he shatters them with new energy. Whedon, a true comic fan, takes advantage of the development built through Marvel’s ten previous films and “mixes things up” by sprinkling in a series of events that fractures the team’s cohesiveness organically. He does this by mining some previously established developments rather than adding something in that would doubtlessly feel abrasive.

Ultron, eventually voiced by James Spader, is a very appropriate villain for the direction this franchise is heading. Aliens have been The Avengers’ most common foe, but Ultron takes a tip from arguably the best Marvel film, Captain America: The Winter Soldier and becomes a metaphor for paranoia and fear. Ultron uses information as a weapon and in essence is also the impetus for introducing the film’s two newest characters The Scarlet Witch (Elizabeth Olsen) and Quicksilver (Aaron Taylor-Johnson), Russian twins with an axe to grind against Stark’s weapons background and some pretty impressive powers. Of course, Whedon is not satisfied in adding something new simply for the sake of a sequel; instead, he uses the twins to give the film an opportunity to reveal more depth to the individual Avengers, something the first film was unable to do as an “origin story” and something usually reserved for the individual entries in the franchises.  Black Widow and Hawkeye, the two Avengers without an individual film about them, benefit most from this element of the film.

At the end, Avengers: Age of Ultron does not have the feel of high, global stakes like the previous film, but that is exactly why these films have not grown stale. We are constantly introduced to a new angle, and in this case, one that may leave some feeling a little confused on what the future holds for these beloved heroes. The one fault I find with the film is, while it has moments of thoughtfulness, I think given the amount of depth developed over ten films, this film could have been more ambitious. The scenes that work, work very well and while there is probably at least one too many fight scenes, there are still plenty of extremely enjoyable “quieter” scenes where these actors get to have fun with the characters and continue the tongue-in-cheek humor that fans have come to expect and appreciate. This is yet another infinity stone in the crown of the Marvel cinematic universe leaving this summer’s Ant Man as the sole film entry left that can smudge phase two of Marvel’s unstoppable success. A-

Avengers: Age of Ultron is rated PG-13 and has a running time of 2 hours and 21 minutes. As promised by Whedon, there is one short scene mid-way through the credits, but no other extra scenes after that.

Iron Man 3

ImageI remember being a child reading Marvel comic books by the dozens.  I’m going to get a little nostalgic now, so if you’re just interested in a review of the film, move on to the next paragraph.  I’d go to comic books stores weekly to get my favorite issues and become immersed in the stories and the artwork.  The static images were vibrant in my mind, and occasionally as I imagined the action between the comic panels, I’d ponder how glorious it would be to see my favorite heroes come to life.  It seemed like a pipe dream, but now it seems that the day has actually come.  Iron Man 3 represents the eighth spectacular achievement in the Avengers vein by Marvel studios as they revolutionize the concept of the film franchise.  The cinematic universe that Marvel studios has created achieves a detailed serial nature usually reserved for complex television dramas.  The success of these films is often attributed to their effects and unyielding action.  Nevertheless, the greatest titles, Iron Man 3 being one of them, deserve their status because of clever writing and character development.

Iron Man 3 finally finds the suited up superhero, Tony Stark pitted against his greatest nemesis, The Mandarin.  While Iron Man’s battle with The Mandarin in the comics dates back to 1964, The Mandarin’s role in Iron Man’s cinematic adventures has only been hinted at in the previous two films.  Thanks to clever and creative writing from director Shane Black and screenwriter Drew Pearce as well as a superb performance by the great Ben Kingsley, The Mandarin was well worth the wait…and that’s all I’ll say.

For the sake of keeping Iron Man 3’s impact in tact, plot should be discussed minimally.  What can be said is that a new terrorist, The Mandarin is violently attacking America in order to expose what he believes is a hypocritical and offensive ideology shared by the American people.  At one point, Stark mentions that he “sounds like a Baptist minister,” suggesting perhaps that he’s using “crisis” as a way to force decision, a controversial Baptist philosophy.  It gets personal when Stark’s head of security, Happy Hogan (played again by Iron Man 1 & 2 director, Jon Favreau) is seriously injured in one of The Mandarin’s attacks.  There is much more to the story including a minor flashback to 1999 where Stark is just hitting his stride.  It is there that he meets bourgeoning scientist Aldrich Killian (Guy Pearce) and “botanist” Maya Hansen (Rebecca Hall), and again…that’s all I’ll say.

Iron Man 3 is a very smartly made film, and while it still addresses comic book staple themes like good/evil, identity, revenge, and freedom, an emergent theme can also be extracted from it – learning from mistakes.   Film series usually start to run out of steam by the third part, with few exceptions.  A third film in a series tends to be darker and excessive in regards to whatever made the first two work be it action, villains, or some sort of familiar formula.  Iron Man 3 learns from others’ mistakes and avoids them.  In fact, it can be said that this film acts as a “how-to” manual on freshening up conventions.  In scenes where the hero is captured by henchmen who are normally silent and sinister, Shane Black and Drew Pearce devise witty and even humorous dialogue that makes those scenes enjoyable.  At one point, Iron Man must team up with a child, a move that often results in schmaltzy sentimentality, yet in the hands of Black and Pearce it works.  By the end of Iron Man 3, it is clear that these film makers are thinking quite a few moves ahead and have no intention of letting the audience down at any point.  The film has fun with Stark’s Iron Man identity being public knowledge and various nods to The Avengers add another level of substance and self-referential fun.  Robert Downey Jr. has certainly found a home in his role as Stark/Iron Man.  This installment is his best as he tactfully and authentically balances humor, intensity, and sentimentality without ever missing a beat.

Other favorites are back as well including Rhodey (Don Cheadle) formally War Machine, now dubbed the Iron Patriot and Stark’s reliable CFO/lover Pepper Potts (Gwyneth Paltrow).  The other star of this film is the Iron Man suit itself.  JARVIS and the suit have made some exciting and enjoyable upgrades that are quite central to the evolution of the story.  Iron Man 3 is another excellent entry into an ever-blooming genre of film.  It is entertaining, gratifying, and most of all – clever. A

Iron Man 3 is rated PG-13 with a running time of 2 hours and 15 minutes.  It should be seen in 2D rather than 3D as nothing is gained from the 3D transfer.  Also, as with every Marvel film, stay through the credits!