Director: Christopher McQuarrie
Writer: Christopher McQuarrie
Cast: Tom Cruise, Henry Cavill, Simon Pegg, Ving Rhames, Rebecca Ferguson, Sean Harris, Angela Bassett
This summer’s Mission: Impossible – Fallout represents the completion of the second trilogy of the Mission Impossible franchise. The first trilogy’s films are simply titled with subsequent installment numbers (1, 2, and 3), but the second trilogy rejected the number scheme for a more ambitious title sequence (Ghost Protocol, Rogue Nation, Fallout). Not only did the naming scheme become more ambitious, but the stunt sequences and set pieces also got more impressive in each successive volume, and Fallout is no exception!
Mission: Impossible – Fallout finds our hero Ethan Hunt (Tom Cruise) dealing with the “fallout” that follows Hunt’s capture of Syndicate leader, Solomon Lane (Sean Harris). Lane’s group, The Syndicate, has reorganized with a terrorist group known as the Apostles, and their plot for creating a new world order through a series of catastrophic terrorist events is still in play. Guided by a chilling refrain, “The greater the suffering, the greater the peace,” the Apostles obtain three plutonium cores in order to construct three nuclear weapons. Hunt is now on a race against time with his loyal IMF team, Luther (Ving Rhames), Benji (Simon Pegg), and testosterone-tag-on August Walker (Henry Cavill), an agent forced on Hunt by CIA director Erica Sloane (Angela Bassett) to keep Hunt accountable. MI6 specialist, Ilsa Faust (Rebecca Ferguson) rounds out the crew, now with loyalties firmly with Hunt and IMF’s camp; her identify crisis from Rogue Nation between MI6 and IMF is seemingly resolved. In fact, going back to the title, one can not overlook the fact that this film, in the original naming scheme, would have been MI6.
As I mentioned, this film has some of the most spectacular action sequences of the entire
franchise, or perhaps of the action genre as a whole. I will not spoil anything, but I can not write a review without mentioning that there is a helicopter chase through the mountainous region of Kashmir that will blow you away. That’s right, a helicopter chase.
Stunt spectaculars aside, Fallout is most impressively a true sequel. This is the first Mission Impossible film to resurrect an old villain, and it is the first to carry the female lead into the next installment. This sense of connectedness gives the film more reach and significance in the series than the previous films, which could essentially be mixed up and played in any order. The success of this film’s story, pacing, and strength relies heavily on its writer/director, Christopher McQuarrie. McQuarrie has aligned himself with Cruise now on five separate projects as either writer, director, or both. More significantly as writer/director of Mission: Impossible – Fallout, he is the first to helm two installments in the series; an impressive feat in a series of films with directors like Brian DePalma, John Woo, and J.J. Abrams. The decision to stick with McQuarrie appears to be a good one, and to champion that, I would like to emphasize a quote from my 2015 Mission: Impossible – Rogue Nation review that is just as appropriate today as it was then, “This time McQuarrie ‘rounds up the usual suspects,’ and puts together this year’s best action film that does not involve super powers or dinosaurs.” That’s right, 2018 is basically 2015 [brief pause while your minds explode!].
The film also gets a lot of help from its capable ensemble cast. Everyone pitches in and has a moment to shine. Cruise is obviously the central role, but he does not get to steal the whole show. The bumbling antics in the film’s first act between Cruise and Cavill are as entertaining and engaging as anything else in the film. I wanted to find fault with these scenes, but I couldn’t. Mission: Impossible – Fallout complicates the classic movie conversation about those sequels that outshine their originals. Now we have a fifth entry that was superior to its predecessors only to then be outdone by the sixth!
Two key thematic elements within Mission: Impossible – Fallout are time and destruction for the sake of improvement. The film seems to use these themes to meta-style reference itself in that Fallout while representing the culmination of a trilogy, feels like the beginning of something else. Fallout takes some massive swings at the way things have previously been in the franchise making way for some major shifts ahead in future missions that I hope Hunt and company choose to accept. A
Mission: Impossible – Fallout is rated PG-13 and has a running time of 2 hours and 27 minutes. There is no post-credits scene; this movie decided to have its ending be the ending!