American Made

AMDirector: Doug Liman

Screenwriter: Gary Spinelli

Cast: Tom Cruise, Domhnall Gleeson, Sarah Wright, and Jesse Plemons

I had an idea once for a movie where I’d pluck out a completely inconsequential character from a well-known film, and then base an entire story around that character. What I love most about this idea is that the film I write would stand firmly on its own two feet with no overt mention to the protagonist’s connection to the larger, famous work. Only those who pick up the subtle clues would ever even be able to connect them.

I had a similar experience watching American Made. I’ll admit that I am not up to date on my drug cartel history, but I do watch and love the Netflix series, Narcos. So as I’m sitting, watching, and enjoying Tom Cruise’s new film American Made, I suddenly start thinking, “I know the name Barry Seal. Wasn’t he in an episode of Narcos?” And then two things happened: 1. I felt what it would be like to have that revelation of realizing a frivolous character from one story is now the subject of another, and 2. I realized I knew everything that was going to happen in this movie. I loved realizing the first thing, but I was not as excited about realizing the second one.

The good news is I love Tom Cruise, and he made up for all the predictability that followed. So it turns out, yes, this is the story of Barry Seal – they guy from Season 1, Episode 4 of Narcos. Seal, played by Tom Cruise is a TWA pilot, who as America is in the grips of the Cold War during the 1970s catches the attention of a CIA agent, Monty Schafer (Domhnhall Gleeson). Seal has been smuggling Cuban cigar exiles into the states as a means of additional income, and Schafer sees Seal’s activity not so much as punishable but as exploitative. Schafer offers Seal a chance to work secretly for the government, taking reconnaissance photos of South American guerilla camps and delivering bribes to Nicaraguan and Panamanian politicians and military personnel for information.

Of course, the CIA doesn’t pay much, and Barry wants nothing more than to make a great life for his wife Lucy (Sarah Wright) and kids. That being said, it doesn’t take long for the Columbian drug cartel headed by Jorge Ochoa (Alejandro Edda), Carlos Ledher (Fredy Yate Escobar), and an up-and-coming-kid Pablo Escobar (Mauricio Mejía) to take notice of an American spy plane running in and out of South America on a pretty regular basis. The cartel sees Seal’s activity not so much as punishable but as exploitative…rinse, wash, repeat (see what I did there?).

The movie spends the rest of its focus watching Seal bounce back and forth between running drugs for the cartel and informing on “Commies” for the CIA. Meanwhile Seal just keeps getting richer, and richer and richer.

Still, the movie doesn’t jive like I wanted it to. I think director Doug Liman and screenwriter, Gary Spinelli bet on the fact that most people who see this film wouldn’t have seen episode 4 of Narcos. I also think they knew Tom Cruise in a plane is something people enjoy. Additionally, this marks the second collaboration between Liman and Cruise after 2014’s Edge of Tomorrow, or was it called Live Die Repeat? No one knows for sure. Anyway, that was a great movie and Liman directed the hell out of it, a film which was basically Groundhog Day meets Terminator and has Cruise reporting to Brenden Gleeson. So why couldn’t Doug Liman direct the hell out of a movie that is basically The Wolf of Wall Street meets Top Gun where Cruise is reporting to Dohmnall Gleeson? He can and he pretty much does. Liman gets a great performance out of Cruise, and a little birdy tells me there are at least two more Liman/Cruise joints in the works. This is good news.

What doesn’t quite jive for me in this film are the circumstances, a deficit that I think mostly falls on the writing. There is a lot of coincidence and shrugging off of impossible situations in American Made. At one moment Seal is in a Columbian prison as government agents are about to raid his New Orleans home with his family asleep inside. The next moment, Seal and his family are living in Arkansas and they own an airplane hanger. It’s not quite that sudden, but it’s pretty close. Gleeson’s Agent Schafer character is also oddly underdeveloped and while I understand his persona is supposed to be mysterious, he seems contradictory and far more dramatic than necessary. Lastly, Jesse Plemons is in this movie as a local sheriff, and I have to assume there is a cache of great footage of him on the cutting room floor somewhere because what’s left of his character is barely an arc.

All in all, Cruise continues to entertain and gives more than just an action-packed performance. In a fall season where all there is to see is It for the 10th time, this is a worthy film that has far more high points than low ones. B

American Made is rated R and has a running time of 1 hour and 55 minutes.

Time After Time: Theories of Time Travel in Films

This entry discusses several well-known time travel films and does contain “spoilers.”

Time travel is a device frequently used in movies of today and of the past.  Since there is no proven theory of time travel existing, each movie that uses time travel is free to experiment with theories of its own.  Thus, many of these theories oppose one another, and in some cases they even contradict themselves.  Films like the Terminator movies, the Back to the Future trilogy, 12 Monkeys, and The Time Machine give the three main oppositions that do occur in films.  These are: 1) when characters from the future go back to the past, 2) when characters from the present go back to the past, and 3) when characters from the present go into the future.   

First of all, the first two Terminator movies are examples of movies that use a theory of time travel where characters from the future go back into the past.  In The Terminator, John Connor is the leader of the human alliance against the evil terminator robots in the future.  He is the only person who can stop the terminators from eliminating the human race.  Therefore, the terminators send one of their own back in time to kill John Connor’s mother, Sarah, in an attempt to eliminate him.  However, John sends a human back in time to protect his mother from the evil terminator.  Eventually Sarah and the human sent to protect her fall in love and they have a child who ends up being John himself.  This also is an example of a time travel theory that contradicts itself; John sent a man back in time that ended up becoming his own father.  Also, if this is not confusing enough, in Terminator 2, the war is still going on and the evil terminators send a new terminator back in time to kill John Connor himself as a child.  The humans send back a new “good” terminator to protect him and to destroy all material that may lead up to the creation of terminators.  *Spoiler Alert* At the end, all of the vital material was destroyed and John was safe.  Thus, the war should have never occurred and John would have never sent back his father to protect his mother and create himself in the first movie.

Another opposition can occur when characters go back in time.  This is demonstrated by the movies Back to the Future and 12 Monkeys.  In Back to the Future, Marty Mcfly goes back in time in a time machine built by Emmit “Doc” Brown because Brown was gunned down while they were testing it in 1985.  Marty ends up in 1955 and while trying to find a way to save Brown, he ends up helping his parents become better people in the present time and, in turn, changes things when he returns to 1985.  12 Monkeys has a somewhat similar situation, but there are some differences.  The film begins in 2035 after a virus has killed nearly the entire human race.  The remaining humans send a man named “Cole” back in time in order to find a cure for this virus.  However, the difference between this situation and Back to the Future’s is that Cole is unable to change the fact that nearly the entire human race is killed by this virus.  They can only learn from the past in order to fix problems that are occurring in the present. 

The Time Machine and the Back to the Future II create yet another opposition of time travel theories.  This opposition being, when characters in the present go into the future.  In The Time Machine, an inventor creates a time machine where he eventually travels into the future.  When he arrives he inquires about what has happened to himself.  However, he is shocked to hear that one day he had left his lab and never returned.  The day the inventor was told that he left was the exact day that he left in the time machine.  This theory of time travel states that if one leaves the present and lands in the future, all of the time in between is not lived and, thus, he does not exist during that period of time.  The Time Machine theory says that no one’s future is already written; they must live it for themselves.  Back to the Future II begs to differ.  In Back to the Future II, Doc and Marty go into the future in order to stop a series of events that ruin the lives of Marty and his children.  They are eventually successful in creating a favorable future for themselves.  This theory of time travel states that a future is written for everyone; however, it is not written in stone.

Time travel is a fictional concept, for today anyway.  However, movies let people use their imaginations in order to imagine what it might be like to be hurled through time and space.  However, many of these films ask the viewer to accept several different theories of this concept, many of which oppose one another.  Although many of them do oppose one another, none of them can be judged incorrect or impossible.  This allows for a highly entertaining and exciting new genre of film. 

             

           

             

 

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