The Lighthouse

The Lighthouse Poster
The Lighthouse (2019)

Director: Robert Eggers

Screenwriters: Max Eggers and Robert Eggers

Cast: Willem Dafoe and Robert Pattinson

Arrr – ye all be a scurvy lot, boastin’ a tall tale of the sea be ye? That is not a line from Robert Egger’s 2019 film, The Lighthouse…but it could have been! The Lighthouse is Egger’s follow up to his film The VVitch: A New-England Folktale, which gained the director a lot of attention in 2015. Now Eggers is back with a film about two lighthouse keepers that will no-doubt have people talking…like a pirate!

The Lighthouse stars Willem Dafoe and Robert Pattinson as two lighthouse keepers off the coast of Nova Scotia sometime in the mid-to-late 19th century. Dafoe plays Thomas Wake, a grizzled, weather-beaten veteran and foil to Pattinson’s young, idealistic Ephraim Winslow. Wake and Winslow arrive for a four-week shift looking after a lighthouse as wickies, the colloquial term for this occupation. It’s isolating, hard work, as you can imagine, especially given Wake’s insistence that he is the only one who gets to keep the light atop the lighthouse, leaving Winslow to most of the hard labor and grunt work. At night, there’s little to do but eat, drink, and talk and much of the film is dedicated to these activities, but that’s where we as the audience learn the most. These men have secrets.

Dafoe and Pattinson in The Lighthouse
Willem Dafoe and Robert Pattinson star as sparring lighthouse keepers who drive each other mad in Robert Eggers’s “The Lighthouse.” Image Credit: A24 Pictures

As the film progresses, we get quite a bit of insight on these men. Both have questionable pasts that have brought them to this “rock” as Wake calls it, and both are dealing with inner struggle that slowly reveals itself. That slow burn could result in a slog of a film; Eggers’s dialogue through the mouths of Dafoe and Pattinson goes a long way. First, a word about Dafoe. Whether you know it or not, Willem Dafoe has been quietly scooping up Oscar nominations left and right. Assuming he is nominated for this role (which in my opinion is a sure thing), he would be receiving his third nomination in as many years, placing him on the shortlist of actors like Meryl Streep, Al Pacino, Jack Nicholson, and Marlon Brando who have accomplished such a feat! Dafoe puts out a vicious, raw, funny, and technical performance as the gritty Thomas Wake. The credits express thanks to the dark Romanticist, Herman Melville for inspiring much of the dialect and language for the film, and Dafoe masterfully spits this lugubrious, Melvillian prose in such a captivating way that I searched in vain for the screenplay for this film just so I could read and treasure every syllable of exactly what resulted when poor Ephraim Winslow expressed disfavor with Thomas Wake’s prepared lobster dinner. It is a scene for the ages.

Dafoe as Thomas Wake

Pattinson too gives a layered and impressive performance. While his character has fewer eccentricities with which to chew the proverbial scenery, his performance is solid and aggressively mysterious.

For a movie with really only two characters and one principle setting, The Lighthouse is actually quite confusing; however, I would preface this with the understanding that this confusion is mostly deliberate. Writer/Director Robert Eggers layers the film with texture. Shot entirely in black and white with an aspect ratio of 1.19:1, the film resembles something out of German expressionism resembling films like The Cabinet of Dr. Caligari and Nosferatu (coincidentally Dafoe played Max Schreck, the actor who portrayed Nosferatu, in the 2001 film Shadow of the Vampire). This places us as viewers in bizarre territory as madness and insanity are tropes often associated with films that look like this, and The Lighthouse, it seems, is no exception. Eggers uses Expressionist qualities to tell a fable-like story full of mystery and mythology that takes some serious unpacking upon its conclusion.

The Expression I get

I certainly cannot say I got every bit of this film, but I can say that I enjoyed the ride from start to finish, and I look forward to reunitin’ with this salty cinematic saga again one day if the sea-god Triton grants it be so. B+

The Lighthouse is Rated Arrrrr as has a running time of 1 hour and 5 minutes.

Out of the Furnace

ImageOut of the Furnace poses a rather critical conundrum.  On one hand, the film’s gritty exploration of one man’s quest for justice is finely acted, but on the other hand, it is substantially conventional. 

Director Scott Cooper follows up his enormously successful 2009 film Crazy Heart with Out of the Furnace.  In it, steel mill worker Russell Baze (Christian Bale) works in order to take care of his terminally ill father while his Iraq-War veteran brother Rodney (Casey Affleck) tries to find a way to adapt to life back at home.  On the surface, it is a film about fathers, sons, and brothers.  However, Cooper opens his film with an alarmingly tense and violent scene at a drive-in movie theater that includes neither of the film’s two main characters.  This scene sets the tone for the film as well as attempts to set the stage for its ambition.  Unfortunately, Out of the Furnace can not quite maintain its balance between narrative and ambition.

The ambition angle aims to document and test the two brothers as life locks them in a metaphorical “furnace.”  Russell spends several years in prison for a drunk driving accident and Rodney begins a downward spiral after the war that leads him to an underground fight-ring headed up by a ruthless kingpin, DeGroat (Woody Harrelson, in his most frightening role in years).  When Rodney suddenly disappears, Russell takes matters into his own hands and goes on a manhunt.  This is when Out of the Furnace ends up stepping on the heels of a film released earlier this year, Prisoners.  Both films want the audience in a “what would you do?” type of scenario, but Prisoners executes it much better.  Both films even have a deer hunting motif!

Out of the Furnace is clunky structurally and it is heavy handed in its treatment of flawed characters who “just want to do the right thing.”  However, the film did attract big, big stars who all came to play.  Affleck and Bale turn out career performances, and the supporting players include Willem DaFoe, Sam Shepard, Forest Whitaker, Zoe Saldana, and the aforementioned Harrelson who are all quite compelling as well.     

Out of the Furnace is all guts and not much glory.  The film desires to resonate with the audience, but I was left feeling unsatisfied and disappointed.  I appreciate great performances, but they are rarely enough to carry a film on their own merits.  C

Out of the Furnace is rated R, and has a running time of one hour and 46 minutes.  I say see Prisoners instead.

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